Reckon | The Whole World's a Stage

tobia:

drkennedyjones:

emma kunz

Kunz didn’t consider herself an artist, except insomuch as drawing was a tool for her practice as a healer in the Swiss villages in which she spent most of her life. Her abstract paintings helped her visualize normally unseeable realities that underlie the tangible everyday world.

Fifteen of her large drawings on graph paper, composed with the aid of a divining pendulum, comprised of intricate webs of line — sometimes resembling the finest string art, or spirograph patterns, or a transverse schematic for a suspension bridge, or X-rays of some kind of crystalline organism — but always mandala-like in their symmetry and complex color symbolism.

At once formally arresting and chock-full of meaning, these mostly 40-by-40-inch colored pencil drawings brim with a mysterious sense of purpose. In fact, they were never meant to be displayed on a museum wall, but to lie on the floor between Kunz and one of her patients. The drawings operated both as documentation of research into and as conduits for patterns of vibrational energy that could be used to realign the psychic imbalances underlying her patients’ medical conditions and cure them.

src

iamallface:

ug:Cohan and Leslie / Artist / Ned Vena / View Works / Detail

commonchant:

(via self-romance)

colinquinn:

tenerifetenerife:

Ryan Mrozowski « PICDIT

nyomklyu:

moxuse:

the glitch dilemma [2] (via R▲▲S)

vivapedro:

colinquinn:

marius wenker did this, something i really like. a lot

marius wenker does more stuff i like-

tobia:

(via nikkor)