Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

Reckon

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"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
April 19, 09
poetbabble:

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(via lungful)

“The great enemy of the truth is very often not the lie, deliberate, contrived and dishonest, but the myth, persistent, persuasive, and unrealistic. Belief in myths allows the comfort of opinion without the discomfort of thought.”

John F. Kennedy (1917 - 1963)

(via Flogging for God)(via retropolitics)

(via travellinglight) (via poetbabble)
(via poetbabble)(via poetbabble)

(via poetbabble)

Growing Sentences with David Foster Wallace

poetbabble:

turnlizer:

oomb:

A Primer for Kicking Ass

Being the Result of One Man’s Fed-upped-ness With ‘How to Write’ Books Not Actually Showing You How to Write

By James Tanner. Reprinted with permission.

0. Begin with an idea, a string of ideas.

Ex: Mario had help with his movie. He did a lot of the work himself.

1. Use them in a compound sentence:

It’s obvious someone helped with the script, But…Mario did the puppet work, And…It was his shoes on the pedal.

2. Add rhythm with a dependent clause:

It’s obvious someone helped with the script, but Mario did the puppet work, and it was, without question, his shoes on the pedal.

3. Elaborate using a complete sentence as interrupting modifier:

It’s obvious someone helped with the script, but Mario did the puppet work — his arms are perfect for the puppets — and it was, without question, his shoes on the pedal.

4. Append an absolute construction or two:

It’s obvious someone helped with the script, but Mario did the puppet work — his arms are perfect for the puppets — and it was, without question, his shoes on the pedal, the camera mounted on a tripod, mops moved out of frame.

5. Paralell-o-rize your structure (turn one noun into two):

It’s obvious someone helped with the script, but Mario did the choreography and the puppet work — his arms and fingers are perfect for the puppets — and it was, without question, his shoes on the pedal, the camera mounted on a tripod, mops and buckets moved out of frame.

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STOP HERE IF YOU ARE A MINIMALIST, WRITING COACH, OR JAMES WOOD
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6. Adjectival phrases: lots of them. (Note: apprx. 50% will include the word ‘little’):

It’s obvious someone helped with the script, but Mario did the choreography and most of the puppet work — his little S-shaped arms and curved fingers are perfect for the standard big-headed political puppets — and it was, without question, his little square shoes on the pedal, the camera mounted on a tripod, mops and dull-gray janitorial buckets moved out of frame.

7. Throw in an adverb or two (never more than one third the number of adjectives):

It’s obvious someone helped with the script, but Mario did the choreography and most of the puppet work personally — his little S-shaped arms and curved fingers are perfect for the standard big-headed political puppets — and it was, without question, his little square shoes on the pedal, the camera mounted on a tripod, mops and dull-gray janitorial buckets carefully moved out of frame.

8. Elaboration — mostly unnecessary. Here you’ll turn nouns phrases into longer noun phrases; verbs phrases into longer verb phrases. This is largely a matter of synonyms and prepositions. Don’t be afraid to be vague! Ideally, these elaborations will contribute to voice — for example, ‘had a hand in’ is longer than ‘helped’, but still kinda voice-y — but that’s just gravy. The goal here is word count.

It’s obvious someone else had a hand in the screenplay, but Mario did the choreography and most of the puppet-work personally — his little S-shaped arms and curved fingers are perfect for the forward curve from body to snout of a standard big-headed political puppet — and it was, without question, Mario’s little square shoes on the pedal, the camera mounted on a tripod across the over lit closet, mops and dull-gray janitorial buckets carefully moved out past the frame’s borders on either side of the little velvet stage.

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STOP HERE IF YOU ARE NOT WRITING PARODY
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9. Give it that Wallace shine. Replace common words with their oddly specific, scientific-y counterparts. (Ex: ‘curved fingers’ into ‘falcate digits’). If you can turn a noun into a brand name, do it. (Ex: ‘shoes’ into ‘Hush Puppies,’ ‘camera’ into ‘Bolex’). Finally, go crazy with the possessives. Who wants a tripod when they could have a ‘tunnel’s locked lab’s tripod’? Ahem:

It’s obvious someone else had a hand in the screenplay, but Mario did the choreography and most of the puppet-work personally — his little S-shaped arms and falcate digits are perfect for the forward curve from body to snout of a standard big-headed political puppet — and it was, without question, Mario’s little square Hush Puppies on the H^4’s operant foot-treadle, the Bolex itself mounted on one of the tunnel’s locked lab’s Husky-VI TL tripods across the over lit closet, mops and dull-gray janitorial buckets carefully moved out past the frame’s borders on either side of the little velvet stage.

10. Practice. Take one sentence — any sentence — and Wallacize it. Turn ten boring words into a hundred good ones.

Ex: “John wanted to play ball, but he sat on the couch.”

Or did John _________________________________ ?

(via Kottke)

poetbabble:


Yes, please.
I mean, minus the guy with the camera on the platform outside…
poetbabble:


Yes, please.
I mean, minus the guy with the camera on the platform outside…

poetbabble:

Yes, please.

I mean, minus the guy with the camera on the platform outside…

acacia226:


necoration:


Angel: look deep into mine eyes!
acacia226:


necoration:


Angel: look deep into mine eyes!

acacia226:

necoration:

Angel: look deep into mine eyes!
Artbreak: Nude on Chair by Brigitte HintnerArtbreak: Nude on Chair by Brigitte Hintner
lovelife:

Trash and Garnish: Ghost Town + Trash and Garnishlovelife:

Trash and Garnish: Ghost Town + Trash and Garnish
lovelife:

Bill Durginlovelife:

Bill Durgin
isbsh:

static movement on the Behance Networkisbsh:

static movement on the Behance Network
ginzuna:


nevver:

Misterioso
ginzuna:


nevver:

Misterioso
isbsh:

static movement on the Behance Networkisbsh:

static movement on the Behance Network
Artbreak: Close to the Sun by Van RenselarArtbreak: Close to the Sun by Van Renselar

it's one of those gorgeous early spring days where all you wanna do is eat acid and lay in the grass...

sade:

(via beetnik)
катя - Раздел ню - Фотографии на Фото.Сайте - Photosight.ruкатя - Раздел ню - Фотографии на Фото.Сайте - Photosight.ru

“Narcissism is just the user interface for nihilism, of course, and with artfully kitschy services like Twitter we’re allowed to both indulge our self-absorption and distance ourselves from it by acknowledging, with a coy digital wink, its essential emptiness. I love me! Just kidding! The great paradox of “social networking” is that it uses narcissism as the glue for “community.” Being online means being alone, and being in an online community means being alone together. The community is purely symbolic, a pixellated simulation conjured up by software to feed the modern self’s bottomless hunger. Hunger for what? For verification of its existence? No, not even that. For verification that it has a role to play. As I walk down the street with thin white cords hanging from my ears, as I look at the display of khakis in the window of the Gap, as I sit in a Starbucks sipping a chai served up by a barista, I can’t quite bring myself to believe that I’m real. But if I send out to a theoretical audience of my peers 140 characters of text saying that I’m walking down the street, looking in a shop window, drinking tea, suddenly I become real. I have a voice. I exist, if only as a symbol speaking of symbols to other symbols.”

Nicholas Carr (via azspot) (via vofka)
vofka:


cigarettes-and-tea:

beautifuldefinition:
elektrische…
kinda gross, but still fantastic

vofka:


cigarettes-and-tea:

beautifuldefinition:
elektrische…
kinda gross, but still fantastic

vofka:

cigarettes-and-tea:

beautifuldefinition:

elektrische…

kinda gross, but still fantastic

“People sometimes say we take things too seriously, but it’s the only way you’ll get anywhere.”

—Thom Yorke (via jotterbook: jonathan-deamer) (via vruz)
Artbreak: magic forest 6 by nandaArtbreak: magic forest 6 by nanda
i12bent:

“Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.” - Federico Garcia Lorcai12bent:

“Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.” - Federico Garcia Lorca

i12bent:

“Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.” - Federico Garcia Lorca

“Are we all, without realising it, taking part in a vast witness protection programme? Did we observe, at some time in the distant past, a deeply disturbing event in which we were closely implicated? Were we then assigned new identities, new personalities, fears and dreams so convincing that we have forgotten who we really are?”

J.G. Ballard

RIP

via The Guardian

heyyoshimi:

(via flyingkites)heyyoshimi:

(via flyingkites)
shaneguiter:

Greg Williams, Thom Yorke for OXFAM, Make Trade Fair campaignshaneguiter:

Greg Williams, Thom Yorke for OXFAM, Make Trade Fair campaign

shaneguiter:

Greg Williams, Thom Yorke for OXFAM, Make Trade Fair campaign

“Be yourself. Everyone else is already taken.”

benjaminhilts:

Nick Drakebenjaminhilts:

Nick Drake

benjaminhilts:

Nick Drake
emmyaward:


nicolemalena:
(via imlouise)
emmyaward:


nicolemalena:
(via imlouise)
benjaminhilts:

(via wekeepsaying)benjaminhilts:

(via wekeepsaying)
veggies (via kozyndan)veggies (via kozyndan)

veggies (via kozyndan)

dottorcarlo:


curiositasmundi:

snuh:

kaipaan: (via maver)
william burroughs & kurt cobain


dottorcarlo:


curiositasmundi:

snuh:

kaipaan: (via maver)
william burroughs & kurt cobain

dottorcarlo:

curiositasmundi:

snuh:

kaipaan: (via maver)

william burroughs & kurt cobain

J.G. Ballard - The Atrocity Exhibition
sympathyfortheartgallery:


via savingoldlitter
RIP. After reading an interview with him in the Guardian some months ago I can only aspire to become more like him. Some people have that effect on me. He did.
Oh, and this one on the wishlist.
J.G. Ballard - The Atrocity Exhibition
sympathyfortheartgallery:


via savingoldlitter
RIP. After reading an interview with him in the Guardian some months ago I can only aspire to become more like him. Some people have that effect on me. He did.
Oh, and this one on the wishlist.
J.G. Ballard - The Atrocity Exhibition

sympathyfortheartgallery:

via savingoldlitter

RIP. After reading an interview with him in the Guardian some months ago I can only aspire to become more like him. Some people have that effect on me. He did.

Oh, and this one on the wishlist.