Reckon | The Whole World's a Stage

"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan

Chris

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April 29, 09
savingoldlitter: scimmiecontromano: florencio: El Portal del Celuloide: Teaser poster para Cannes de Antichrist savingoldlitter: scimmiecontromano: florencio: El Portal del Celuloide: Teaser poster para Cannes de Antichrist

savingoldlitter:

scimmiecontromano:

florencio:

El Portal del Celuloide: Teaser poster para Cannes de Antichrist
lacoliflor: killingbambi: digitalbath: eurho: thingsthatexciteme: Ciara Christensen lacoliflor: killingbambi: digitalbath: eurho: thingsthatexciteme: Ciara Christensen

lacoliflor:

killingbambi:

digitalbath:

eurho:

thingsthatexciteme:

Ciara Christensen
savingoldlitter: (via expo7000)savingoldlitter: (via expo7000)

savingoldlitter:

(via expo7000)

“There’s an old saying that rich people see their servants as “part of the furniture” and it would seem that Kubrick has taken this phrase and manifested it in the Shining’s visual theme structure. The affluent guests of the Overlook (America) see the hotel servants and workers as objects, existing merely for their own pleasure and comfort. Unknown to them these pieces of furniture are living, breathing people with real emotions and a life of their own. The independent movements of these servants is forever destined to haunt the conscience of their masters, bringing unpleasant disruptions to the illusion of ruling class paradise.”

—Mazes, Mirrors, Deception and Denial
jinon: planettampon: via itchyhead jinon: planettampon: via itchyhead

jinon:

planettampon:

via itchyhead
deadgirls: ketmie: artpixie: Amy Brisco on vi.sualize.us deadgirls: ketmie: artpixie: Amy Brisco on vi.sualize.us

deadgirls:

ketmie:

artpixie:

Amy Brisco on vi.sualize.us
sadanblog: (via bohemianpunk)sadanblog: (via bohemianpunk)

sadanblog:

(via bohemianpunk)
maryclare: dreamland33: (via caticat) maryclare: dreamland33: (via caticat)

maryclare:

dreamland33:

(via caticat)
auspices: (via beatlittleheartbeat)auspices: (via beatlittleheartbeat)

auspices:

(via beatlittleheartbeat)
clolandois: Para mi hermana Miss Tuggui…hope u like it! =) clolandois: Para mi hermana Miss Tuggui…hope u like it! =)

clolandois:

Para mi hermana Miss Tuggui…hope u like it!

=)

(via astralzoo)(via astralzoo)

(via astralzoo)

unsolvedmysteries: (via scott_waterman)unsolvedmysteries: (via scott_waterman)

unsolvedmysteries:

(via scott_waterman)
sadanblog: twink: naoppi: (via eimeiichikawa) sadanblog: twink: naoppi: (via eimeiichikawa)

sadanblog:

twink:

naoppi:

(via eimeiichikawa)
via fummo.files.wordpress.comvia fummo.files.wordpress.com

via fummo.files.wordpress.com

“Spring has returned. The Earth is like a child that knows poems.”

—

Rilke

(via centophilia) (via thewayoftheworld)

(via benjaminhilts)
tobia: artpixie: dustpollengrass: butterflyeffects: Maurice Brange, Au Café (Solita Solano and Djuna Barnes in Paris, 1922) (via) tobia: artpixie: dustpollengrass: butterflyeffects: Maurice Brange, Au Café (Solita Solano and Djuna Barnes in Paris, 1922) (via)

tobia:

artpixie:

dustpollengrass:

butterflyeffects:

Maurice Brange, Au Café (Solita Solano and Djuna Barnes in Paris, 1922)

(via)

deadgirls: misstugui: mrtugui: she is a cyborg, but that’s ok. deadgirls: misstugui: mrtugui: she is a cyborg, but that’s ok.

deadgirls:

misstugui:

mrtugui:

she is a cyborg, but that’s ok.
deadgirls: oio: laveritenue: 24 by bluecut on deviantART deadgirls: oio: laveritenue: 24 by bluecut on deviantART

deadgirls:

oio:

laveritenue:

24 by bluecut on deviantART
(via vanillamonkee)(via vanillamonkee)

(via vanillamonkee)

(via lishmay)(via lishmay)

(via lishmay)

anibertz: ilikedginger: Eric Staller «  Cakehead Loves Evil anibertz: ilikedginger: Eric Staller «  Cakehead Loves Evil

anibertz:

ilikedginger:

Eric Staller «  Cakehead Loves Evil
(via elvisdepressley)(via elvisdepressley)

(via elvisdepressley)

deadgirls: thegirlwithkaleidoscopeeyes: “Animals”-PINK FLOYD deadgirls: thegirlwithkaleidoscopeeyes: “Animals”-PINK FLOYD

deadgirls:

thegirlwithkaleidoscopeeyes:

“Animals”-PINK FLOYD
Pig Flew via www.zmemusic.com The original Pink Floyd pig was designed by Roger Waters and built in December 1976 in preparation for shooting the cover of the Animals album. Plans were made to fly the forty-foot, helium-filled balloon over Battersea Power Station on the first day’s photo-shoot, with a marksman prepared to shoot the pig down if it broke free. However, the pig was not launched. On the second day, the marksman wasn’t present because no one had told him to return, and the pig broke free due to a strong gust of wind (gaining a lot of press coverage). It disappeared from sight within five minutes, and was spotted by airline pilots at forty thousand feet in the air. Flights at Heathrow Airport were cancelled as the huge inflatable pig flew through the path of aircraft, eastwards from Britain and out over the English Channel, finally landing on a rural farm in Kent that night. The pig was recovered and repaired for the resumption of photography for the album cover, but unfortunately the sky was cloudless and blue, thus “boring”. However, the pictures of the sky from the first day were suitable; eventually, the album cover was created using a composite of photos from the first and third days.Pig Flew via www.zmemusic.com The original Pink Floyd pig was designed by Roger Waters and built in December 1976 in preparation for shooting the cover of the Animals album. Plans were made to fly the forty-foot, helium-filled balloon over Battersea Power Station on the first day’s photo-shoot, with a marksman prepared to shoot the pig down if it broke free. However, the pig was not launched. On the second day, the marksman wasn’t present because no one had told him to return, and the pig broke free due to a strong gust of wind (gaining a lot of press coverage). It disappeared from sight within five minutes, and was spotted by airline pilots at forty thousand feet in the air. Flights at Heathrow Airport were cancelled as the huge inflatable pig flew through the path of aircraft, eastwards from Britain and out over the English Channel, finally landing on a rural farm in Kent that night. The pig was recovered and repaired for the resumption of photography for the album cover, but unfortunately the sky was cloudless and blue, thus “boring”. However, the pictures of the sky from the first day were suitable; eventually, the album cover was created using a composite of photos from the first and third days.

Pig Flew

via www.zmemusic.com

The original Pink Floyd pig was designed by Roger Waters and built in December 1976 in preparation for shooting the cover of the Animals album. Plans were made to fly the forty-foot, helium-filled balloon over Battersea Power Station on the first day’s photo-shoot, with a marksman prepared to shoot the pig down if it broke free.

However, the pig was not launched.

On the second day, the marksman wasn’t present because no one had told him to return, and the pig broke free due to a strong gust of wind (gaining a lot of press coverage). It disappeared from sight within five minutes, and was spotted by airline pilots at forty thousand feet in the air. Flights at Heathrow Airport were cancelled as the huge inflatable pig flew through the path of aircraft, eastwards from Britain and out over the English Channel, finally landing on a rural farm in Kent that night.

The pig was recovered and repaired for the resumption of photography for the album cover, but unfortunately the sky was cloudless and blue, thus “boring”. However, the pictures of the sky from the first day were suitable; eventually, the album cover was created using a composite of photos from the first and third days.

elizabethg: chronicdissatisfaction:elizabethg: chronicdissatisfaction:

elizabethg:

chronicdissatisfaction: