Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

Reckon

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"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
August 22, 09
Satan’s Kingdom

via right click this shit Satan’s Kingdom

via right click this shit

Satan’s Kingdom via right click this shit

Mary Katherine Dunwody
PSYCHIC SUNSET: Some Witches Are HorsesMary Katherine Dunwody
PSYCHIC SUNSET: Some Witches Are Horses
Mary Katherine Dunwody
PSYCHIC SUNSET: Some Witches Are HorsesMary Katherine Dunwody
PSYCHIC SUNSET: Some Witches Are Horses
家家

superseventies:

bigfun:
Mati Klarwein - Miles Davis’ Bitches Brew cover (1970)
superseventies:

bigfun:
Mati Klarwein - Miles Davis’ Bitches Brew cover (1970)

superseventies:

bigfun:

Mati Klarwein - Miles Davis’ Bitches Brew cover (1970)
thethirdmind:

pictografica:
Gerhard Richter. Over-painted photos. This one titled 13. Nov. 2000. This and many more on his website.
thethirdmind:

pictografica:
Gerhard Richter. Over-painted photos. This one titled 13. Nov. 2000. This and many more on his website.

thethirdmind:

pictografica:

Gerhard Richter. Over-painted photos. This one titled 13. Nov. 2000. This and many more on his website.
thethirdmind:

pictografica:

“Video Landscape (flowerpot)”, 1974 by Ernst Caramelle. via vvork
(via aubzillatron)

thethirdmind:

pictografica:

“Video Landscape (flowerpot)”, 1974 by Ernst Caramelle. via vvork
(via aubzillatron)

thethirdmind:

pictografica:

“Video Landscape (flowerpot)”, 1974 by Ernst Caramelle. via vvork

(via aubzillatron)

thethirdmind:

olostudio:

pictografica: Ann Hamilton. Between taxonomy and communion 1990. Steel table, iron oxide powder, and approximately 14,000 human and animal teeth.
thethirdmind:

olostudio:

pictografica: Ann Hamilton. Between taxonomy and communion 1990. Steel table, iron oxide powder, and approximately 14,000 human and animal teeth.

thethirdmind:

olostudio:

pictografica: Ann Hamilton. Between taxonomy and communion 1990. Steel table, iron oxide powder, and approximately 14,000 human and animal teeth.
(via vrno)(via vrno)

(via vrno)

(via vrno)(via vrno)

(via vrno)

(via vrno)(via vrno)

(via vrno)

(via vrno)(via vrno)

(via vrno)

(via voodoovoodoo)(via voodoovoodoo)

(via voodoovoodoo)

(via poladroidfreakteam)(via poladroidfreakteam)
(via cerebralmuseum)(via cerebralmuseum)
(via cerebralmuseum)(via cerebralmuseum)
thepr:

art-it:

i-peach-feng-shui:

Bruce Nauman (1941–) from Please Pay Attention Please.
Stay focused! Are you paying attention to what you are doing right now? I probably am not, but I am making a concerted effort to try.  Being present is something extremely powerful.


thepr:

art-it:

i-peach-feng-shui:

Bruce Nauman (1941–) from Please Pay Attention Please.
Stay focused! Are you paying attention to what you are doing right now? I probably am not, but I am making a concerted effort to try.  Being present is something extremely powerful.

thepr:

art-it:

i-peach-feng-shui:

Bruce Nauman (1941–) from Please Pay Attention Please.

Stay focused! Are you paying attention to what you are doing right now? I probably am not, but I am making a concerted effort to try.  Being present is something extremely powerful.

hi-ho-:
(via yimmyayo)hi-ho-:
(via yimmyayo)

hi-ho-:

(via yimmyayo)
(via obsidianobelisk)(via obsidianobelisk)
(via retrosexy)(via retrosexy)

(via retrosexy)

(via cosmic-dust)(via cosmic-dust)

(via cosmic-dust)

digitalbath:

slaughtermouf:
(via feedmerocky)
digitalbath:

slaughtermouf:
(via feedmerocky)
i12bent:

William Walton (Aug. 20, 1909 - 1994): August Flowers, ca. 1960-1969 - oil on canvas (Smithsonian)
“William Walton, the journalist turned painter who chaired the Washington Fine Arts Commission from 1961 to 1971, was born in Jacksonville, Illinois. After graduating from the University of Wisconsin, he pursued a career in journalism, ultimately working with the Associated Press in Chicago and as Time-Life war correspondent during World War II (when he parachuted into France with the 82nd Airborne Division to cover D-Day). In 1945 Time-Life moved him to Washington where he also edited for the New Republic. Four years later, he resigned his positions to concentrate on his (predominantly abstract expressionist) painting.
Walton played a key role supporting his Georgetown neighbor John Kennedy’s 1960 Democratic presidential campaign by first working in the Wisconsin and West Virginia primaries and, after the convention, helping manage the New York campaign. He accompanied JFK to Val-Kill when the candidate sought ER’s endorsement in August. President Kennedy then appointed Walton chair of the Fine Arts Commission where, working closely with Jacqueline Kennedy, he had a major impact on the preservation of historic Washington, especially in the restoration of Lafayette Square and the Renwick Gallery and the expansion of the National Gallery of Art. He also influenced the design of Dulles Airport and the Washington rapid transit system. He resumed writing and in 1966 wrote The Evidence of Washington, a photographic book chronicling the development of the national capital.
He returned to New York in 1975, where he died in 1994 from heart problems.”
Source: Bart Barnes, “William Walton Dies at Age 85,” The Washington Post, 20 December 1994, Section D, p. 5.
i12bent:

William Walton (Aug. 20, 1909 - 1994): August Flowers, ca. 1960-1969 - oil on canvas (Smithsonian)
“William Walton, the journalist turned painter who chaired the Washington Fine Arts Commission from 1961 to 1971, was born in Jacksonville, Illinois. After graduating from the University of Wisconsin, he pursued a career in journalism, ultimately working with the Associated Press in Chicago and as Time-Life war correspondent during World War II (when he parachuted into France with the 82nd Airborne Division to cover D-Day). In 1945 Time-Life moved him to Washington where he also edited for the New Republic. Four years later, he resigned his positions to concentrate on his (predominantly abstract expressionist) painting.
Walton played a key role supporting his Georgetown neighbor John Kennedy’s 1960 Democratic presidential campaign by first working in the Wisconsin and West Virginia primaries and, after the convention, helping manage the New York campaign. He accompanied JFK to Val-Kill when the candidate sought ER’s endorsement in August. President Kennedy then appointed Walton chair of the Fine Arts Commission where, working closely with Jacqueline Kennedy, he had a major impact on the preservation of historic Washington, especially in the restoration of Lafayette Square and the Renwick Gallery and the expansion of the National Gallery of Art. He also influenced the design of Dulles Airport and the Washington rapid transit system. He resumed writing and in 1966 wrote The Evidence of Washington, a photographic book chronicling the development of the national capital.
He returned to New York in 1975, where he died in 1994 from heart problems.”
Source: Bart Barnes, “William Walton Dies at Age 85,” The Washington Post, 20 December 1994, Section D, p. 5.

i12bent:

William Walton (Aug. 20, 1909 - 1994): August Flowers, ca. 1960-1969 - oil on canvas (Smithsonian)

“William Walton, the journalist turned painter who chaired the Washington Fine Arts Commission from 1961 to 1971, was born in Jacksonville, Illinois. After graduating from the University of Wisconsin, he pursued a career in journalism, ultimately working with the Associated Press in Chicago and as Time-Life war correspondent during World War II (when he parachuted into France with the 82nd Airborne Division to cover D-Day). In 1945 Time-Life moved him to Washington where he also edited for the New Republic. Four years later, he resigned his positions to concentrate on his (predominantly abstract expressionist) painting.

Walton played a key role supporting his Georgetown neighbor John Kennedy’s 1960 Democratic presidential campaign by first working in the Wisconsin and West Virginia primaries and, after the convention, helping manage the New York campaign. He accompanied JFK to Val-Kill when the candidate sought ER’s endorsement in August. President Kennedy then appointed Walton chair of the Fine Arts Commission where, working closely with Jacqueline Kennedy, he had a major impact on the preservation of historic Washington, especially in the restoration of Lafayette Square and the Renwick Gallery and the expansion of the National Gallery of Art. He also influenced the design of Dulles Airport and the Washington rapid transit system. He resumed writing and in 1966 wrote The Evidence of Washington, a photographic book chronicling the development of the national capital.

He returned to New York in 1975, where he died in 1994 from heart problems.”

Source: Bart Barnes, “William Walton Dies at Age 85,” The Washington Post, 20 December 1994, Section D, p. 5.

i12bent:

The great Larry Rivers, friend of all the Beats and New York School poets…
Larry Rivers (1923 - 2002): The Athlete’s Dream, 1956 - oil on canvas (Smithsonian)
“Born Larry Grossberg in the Bronx, Rivers started his career as a jazz saxophonist in 1940. While studying at the Juillard in 1944, a fellow student reportedly introduced Rivers to the work of Georges Braques-sparking an interest in painting. In 1948, he enrolled in the art education program at New York University and received his degree in 1951.
Rivers is a versatile artist who has worked in a wide range of media. Recognized for his interest in historical images and themes, he has also produced a number of collaborative works with other artists, including poets Frank O’Hara and Kenneth Koch and sculptor Jean Tinguely. Additionally, Rivers has designed stage sets, for Stravinsky’s Oedipus Rex and for two of LeRoi Jones’s plays, and worked with Pierre Gaisseau on the television documentary “Africa and I.”” - Therese Thau Heyman. Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998).
i12bent:

The great Larry Rivers, friend of all the Beats and New York School poets…
Larry Rivers (1923 - 2002): The Athlete’s Dream, 1956 - oil on canvas (Smithsonian)
“Born Larry Grossberg in the Bronx, Rivers started his career as a jazz saxophonist in 1940. While studying at the Juillard in 1944, a fellow student reportedly introduced Rivers to the work of Georges Braques-sparking an interest in painting. In 1948, he enrolled in the art education program at New York University and received his degree in 1951.
Rivers is a versatile artist who has worked in a wide range of media. Recognized for his interest in historical images and themes, he has also produced a number of collaborative works with other artists, including poets Frank O’Hara and Kenneth Koch and sculptor Jean Tinguely. Additionally, Rivers has designed stage sets, for Stravinsky’s Oedipus Rex and for two of LeRoi Jones’s plays, and worked with Pierre Gaisseau on the television documentary “Africa and I.”” - Therese Thau Heyman. Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998).

i12bent:

The great Larry Rivers, friend of all the Beats and New York School poets…

Larry Rivers (1923 - 2002): The Athlete’s Dream, 1956 - oil on canvas (Smithsonian)

“Born Larry Grossberg in the Bronx, Rivers started his career as a jazz saxophonist in 1940. While studying at the Juillard in 1944, a fellow student reportedly introduced Rivers to the work of Georges Braques-sparking an interest in painting. In 1948, he enrolled in the art education program at New York University and received his degree in 1951.

Rivers is a versatile artist who has worked in a wide range of media. Recognized for his interest in historical images and themes, he has also produced a number of collaborative works with other artists, including poets Frank O’Hara and Kenneth Koch and sculptor Jean Tinguely. Additionally, Rivers has designed stage sets, for Stravinsky’s Oedipus Rex and for two of LeRoi Jones’s plays, and worked with Pierre Gaisseau on the television documentary “Africa and I.”” - Therese Thau Heyman. Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998).

intweetion:
via http://houseofselfindulgence.blogspot.com
intweetion:
via http://houseofselfindulgence.blogspot.com
i12bent:
Charles Bukowski doing another of his things - art…i12bent:
Charles Bukowski doing another of his things - art…

i12bent:

Charles Bukowski doing another of his things - art…
i12bent:

Charles Bukowski doing his thing…
Via bukowski.net
i12bent:

Charles Bukowski doing his thing…
Via bukowski.net

i12bent:

Charles Bukowski doing his thing…

Via bukowski.net

unchienandalou:
120_n4yozs5w4kb2pim1gugbmcy5o1400.jpg (image)unchienandalou:
120_n4yozs5w4kb2pim1gugbmcy5o1400.jpg (image)
milkshakemlle:

nevver:
Stanley
milkshakemlle:

nevver:
Stanley
seenoevil:
by Carl W. Heindl.seenoevil:
by Carl W. Heindl.
hellovagina:

dailydoseofdylan:
Patti Smith with Bob Dylan
hellovagina:

dailydoseofdylan:
Patti Smith with Bob Dylan

hellovagina:

dailydoseofdylan:

Patti Smith with Bob Dylan
louisepalanker:
I almost carved, “Do not carve the bamboo” into the bamboo.louisepalanker:
I almost carved, “Do not carve the bamboo” into the bamboo.

louisepalanker:

I almost carved, “Do not carve the bamboo” into the bamboo.
(via sylvain-emmanuel .P)(via sylvain-emmanuel .P)
(via sylvain-emmanuel .P)(via sylvain-emmanuel .P)
browneyes:
Dropped by lebienlemal.browneyes:
Dropped by lebienlemal.