Reckon | The Whole World's a Stage

"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan

Chris

Reckon

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October 12, 09
Shade drawing (via Hel Des)Shade drawing (via Hel Des)

Shade drawing (via Hel Des)

i12bent:

As seen on wood_s_lot…
Instant Karma’s gonna get youGonna knock you right on the headYou better get yourself togetherPretty soon you’re gonna be dead…
i12bent:

As seen on wood_s_lot…
Instant Karma’s gonna get youGonna knock you right on the headYou better get yourself togetherPretty soon you’re gonna be dead…

i12bent:

As seen on wood_s_lot

Instant Karma’s gonna get you
Gonna knock you right on the head
You better get yourself together
Pretty soon you’re gonna be dead…

lovehaight:

Kerouac family in a bar, 1944. From left to right: Jack Kerouac, Caroline (“Nin”) Kerouac, Gabrielle Kerouac, and Leo Kerouac.(via)lovehaight:

Kerouac family in a bar, 1944. From left to right: Jack Kerouac, Caroline (“Nin”) Kerouac, Gabrielle Kerouac, and Leo Kerouac.(via)

lovehaight:

Kerouac family in a bar, 1944. From left to right: Jack Kerouac, Caroline (“Nin”) Kerouac, Gabrielle Kerouac, and Leo Kerouac.(via)
i12bent:

Robert Mangold (born Oct. 12, 1937) is an American minimalist artist.
“Robert Mangold’s paintings are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” - Michael Kimmelman in the New York Times in 1997
Above: X Within X Orange, 1981
See also Ring - Image A
i12bent:

Robert Mangold (born Oct. 12, 1937) is an American minimalist artist.
“Robert Mangold’s paintings are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” - Michael Kimmelman in the New York Times in 1997
Above: X Within X Orange, 1981
See also Ring - Image A

i12bent:

Robert Mangold (born Oct. 12, 1937) is an American minimalist artist.

“Robert Mangold’s paintings are more complicated to describe than they seem, which is partly what’s good about them: the way they invite intense scrutiny, which, in the nature of good art, is its own reward.” - Michael Kimmelman in the New York Times in 1997

Above: X Within X Orange, 1981

See also Ring - Image A

i12bent:

I am fascinated with Ohio-born artist Lucius Kutchin (Oct. 11, 1901 -1936), also known as Lucius Brown, or Lou Kutchin - partly because there is so little info on his life available on-line, and partly of course he was so good and died so young…
Here a glorious canvas by him: The Girl In Green
Since last year’s post on him, I have found out a tiny bit more about him and a few more works, but nothing yet on his early death - so I guess I’ll have to buy the only book on him, a tiny 33 page volume titled Personal Mythologies, published by the Columbus Museum of Art in the late 80s…
And what did Lucius correspond with composer Virgil Thomson about?
i12bent:

I am fascinated with Ohio-born artist Lucius Kutchin (Oct. 11, 1901 -1936), also known as Lucius Brown, or Lou Kutchin - partly because there is so little info on his life available on-line, and partly of course he was so good and died so young…
Here a glorious canvas by him: The Girl In Green
Since last year’s post on him, I have found out a tiny bit more about him and a few more works, but nothing yet on his early death - so I guess I’ll have to buy the only book on him, a tiny 33 page volume titled Personal Mythologies, published by the Columbus Museum of Art in the late 80s…
And what did Lucius correspond with composer Virgil Thomson about?

i12bent:

I am fascinated with Ohio-born artist Lucius Kutchin (Oct. 11, 1901 -1936), also known as Lucius Brown, or Lou Kutchin - partly because there is so little info on his life available on-line, and partly of course he was so good and died so young…

Here a glorious canvas by him: The Girl In Green

Since last year’s post on him, I have found out a tiny bit more about him and a few more works, but nothing yet on his early death - so I guess I’ll have to buy the only book on him, a tiny 33 page volume titled Personal Mythologies, published by the Columbus Museum of Art in the late 80s…

And what did Lucius correspond with composer Virgil Thomson about?

i12bent:

Best post from Oct. 12, 2008 on OF may well be this:
Joan Brown, American artist, born on Oct. 12, 1938: Nude, Dog, Clouds, 1963 (Smithsonian)
But do check out the whole production from this day last year…
i12bent:

Best post from Oct. 12, 2008 on OF may well be this:
Joan Brown, American artist, born on Oct. 12, 1938: Nude, Dog, Clouds, 1963 (Smithsonian)
But do check out the whole production from this day last year…

i12bent:

Best post from Oct. 12, 2008 on OF may well be this:

Joan Brown, American artist, born on Oct. 12, 1938: Nude, Dog, Clouds, 1963 (Smithsonian)

But do check out the whole production from this day last year

i12bent:

Guidi Molinari (Oct. 12, 1933 - 2004): Mutation rythmique bi-jaune, 1965 - acrylic and latex on canvas © Succession Guido Molinari/SODRAC (Montréal) 2007, Collection du Musée d’art de Joliette
Mutation rythmique bi-jaune is a large-scale painting composed of vertical stripes, of equal width, in varying hues of yellow, orange and brown. Each colour band has straight, distinct edges separating it from the others. The paint is applied in a uniform flat fashion and covers the entirety of the canvas. The juxtaposition of the coloured bands creates the illusion that some of the stripes are closer to the surface than others, and that the areas where the colours meet are moving or vibrating. These visual tricks identify this work with the Op Art movement. In purely technical terms, the sharply delineated areas of colour place this work also in the Hard Edge movement popularized by American artists like Ellsworth Kelly and Frank Stella. In the Quebec context. Mutation rhythmique bi-jaune is a product of Molinari’s dedication to the Neo-Plasticist approach that rejected the Automatist idea of spontaneous, objective abstraction in favour of a dedication to formal qualities of pure colour and geometric forms.” (Source)
More Molinari stripes…
i12bent:

Guidi Molinari (Oct. 12, 1933 - 2004): Mutation rythmique bi-jaune, 1965 - acrylic and latex on canvas © Succession Guido Molinari/SODRAC (Montréal) 2007, Collection du Musée d’art de Joliette
Mutation rythmique bi-jaune is a large-scale painting composed of vertical stripes, of equal width, in varying hues of yellow, orange and brown. Each colour band has straight, distinct edges separating it from the others. The paint is applied in a uniform flat fashion and covers the entirety of the canvas. The juxtaposition of the coloured bands creates the illusion that some of the stripes are closer to the surface than others, and that the areas where the colours meet are moving or vibrating. These visual tricks identify this work with the Op Art movement. In purely technical terms, the sharply delineated areas of colour place this work also in the Hard Edge movement popularized by American artists like Ellsworth Kelly and Frank Stella. In the Quebec context. Mutation rhythmique bi-jaune is a product of Molinari’s dedication to the Neo-Plasticist approach that rejected the Automatist idea of spontaneous, objective abstraction in favour of a dedication to formal qualities of pure colour and geometric forms.” (Source)
More Molinari stripes…

i12bent:

Guidi Molinari (Oct. 12, 1933 - 2004): Mutation rythmique bi-jaune, 1965 - acrylic and latex on canvas © Succession Guido Molinari/SODRAC (Montréal) 2007, Collection du Musée d’art de Joliette

Mutation rythmique bi-jaune is a large-scale painting composed of vertical stripes, of equal width, in varying hues of yellow, orange and brown. Each colour band has straight, distinct edges separating it from the others. The paint is applied in a uniform flat fashion and covers the entirety of the canvas. The juxtaposition of the coloured bands creates the illusion that some of the stripes are closer to the surface than others, and that the areas where the colours meet are moving or vibrating. These visual tricks identify this work with the Op Art movement. In purely technical terms, the sharply delineated areas of colour place this work also in the Hard Edge movement popularized by American artists like Ellsworth Kelly and Frank Stella. In the Quebec context. Mutation rhythmique bi-jaune is a product of Molinari’s dedication to the Neo-Plasticist approach that rejected the Automatist idea of spontaneous, objective abstraction in favour of a dedication to formal qualities of pure colour and geometric forms.” (Source)

More Molinari stripes…

i12bent:

Oh LIFE:
“Author William Burroughs, an ex-dope addict, relaxing on a shabby bed in what is known as a Beat Hotel.” - photo by Loomis Dean, 1959
i12bent:

Oh LIFE:
“Author William Burroughs, an ex-dope addict, relaxing on a shabby bed in what is known as a Beat Hotel.” - photo by Loomis Dean, 1959

i12bent:

Oh LIFE:

“Author William Burroughs, an ex-dope addict, relaxing on a shabby bed in what is known as a Beat Hotel.” - photo by Loomis Dean, 1959

i12bent:

In memoriam, Irving Penn - 1917 - Oct. 7, 2009…
A 1949 Penn study of his wife Lisa Fonssagrives-Penn
See also the 15 previous posts on Penn on OF
i12bent:

In memoriam, Irving Penn - 1917 - Oct. 7, 2009…
A 1949 Penn study of his wife Lisa Fonssagrives-Penn
See also the 15 previous posts on Penn on OF

i12bent:

In memoriam, Irving Penn - 1917 - Oct. 7, 2009…

A 1949 Penn study of his wife Lisa Fonssagrives-Penn

See also the 15 previous posts on Penn on OF

walkwhilereading:

oiseaujaune:

walkwhilereading:
Walt Whitman’s notebook.
walkwhilereading. you are my favorite blog.
Very kind. Thank you.

walkwhilereading:

oiseaujaune:

walkwhilereading:
Walt Whitman’s notebook.
walkwhilereading. you are my favorite blog.
Very kind. Thank you.

walkwhilereading:

oiseaujaune:

walkwhilereading:

Walt Whitman’s notebook.

walkwhilereading. you are my favorite blog.

Very kind. Thank you.

i12bent:

Today’s birthdays:
African-American poet and activist Amiri Baraka, who never minces his words, is 75 today! Let’s celebrate with bravura while he is still alive!
In Memory of RadioWho has ever stopped to think of the divinity of Lamont Cranston?(Only Jack Kerouac, that I know of: & me.The rest of you probably had on WCBS and Kate Smith,Or something equally unattractive.)What can I say?It is better to haved loved and lostThan to put linoleum in your living rooms?Am I a sage or something?Mandrake’s hypnotic gesture of the week?(Remember, I do not have the healing powers of Oral Roberts…I cannot, like F. J. Sheen, tell you how to get saved & rich!I cannot even order you to the gaschamber satori like Hitler or Goddy Knight)& love is an evil word.Turn it backwards/see, see what I mean?An evol word. & besideswho understands it?I certainly wouldn’t like to go out on that kind of limb.Saturday mornings we listened to the Red Lantern & his undersea folk.At 11, Let’s Pretend& we did& I, the poet, still do. Thank God!What was it he used to say (after the transformation when he was safe& invisible & the unbelievers couldn’t throw stones?) “Heh, heh, heh.Who knows what evil lurks in the hearts of men? The Shadow knows.”O, yes he doesO, yes he doesAn evil word it is,This Love.
***********
Last year’s toast
i12bent:

Today’s birthdays:
African-American poet and activist Amiri Baraka, who never minces his words, is 75 today! Let’s celebrate with bravura while he is still alive!
In Memory of RadioWho has ever stopped to think of the divinity of Lamont Cranston?(Only Jack Kerouac, that I know of: & me.The rest of you probably had on WCBS and Kate Smith,Or something equally unattractive.)What can I say?It is better to haved loved and lostThan to put linoleum in your living rooms?Am I a sage or something?Mandrake’s hypnotic gesture of the week?(Remember, I do not have the healing powers of Oral Roberts…I cannot, like F. J. Sheen, tell you how to get saved & rich!I cannot even order you to the gaschamber satori like Hitler or Goddy Knight)& love is an evil word.Turn it backwards/see, see what I mean?An evol word. & besideswho understands it?I certainly wouldn’t like to go out on that kind of limb.Saturday mornings we listened to the Red Lantern & his undersea folk.At 11, Let’s Pretend& we did& I, the poet, still do. Thank God!What was it he used to say (after the transformation when he was safe& invisible & the unbelievers couldn’t throw stones?) “Heh, heh, heh.Who knows what evil lurks in the hearts of men? The Shadow knows.”O, yes he doesO, yes he doesAn evil word it is,This Love.
***********
Last year’s toast

i12bent:

Today’s birthdays:

African-American poet and activist Amiri Baraka, who never minces his words, is 75 today! Let’s celebrate with bravura while he is still alive!

In Memory of Radio

Who has ever stopped to think of the divinity of Lamont Cranston?
(Only Jack Kerouac, that I know of: & me.
The rest of you probably had on WCBS and Kate Smith,
Or something equally unattractive.)

What can I say?
It is better to haved loved and lost
Than to put linoleum in your living rooms?

Am I a sage or something?
Mandrake’s hypnotic gesture of the week?
(Remember, I do not have the healing powers of Oral Roberts…
I cannot, like F. J. Sheen, tell you how to get saved & rich!
I cannot even order you to the gaschamber satori like Hitler or Goddy Knight)

& love is an evil word.
Turn it backwards/see, see what I mean?
An evol word. & besides
who understands it?
I certainly wouldn’t like to go out on that kind of limb.

Saturday mornings we listened to the Red Lantern & his undersea folk.
At 11, Let’s Pretend
& we did
& I, the poet, still do. Thank God!

What was it he used to say (after the transformation when he was safe
& invisible & the unbelievers couldn’t throw stones?) “Heh, heh, heh.
Who knows what evil lurks in the hearts of men? The Shadow knows.”

O, yes he does
O, yes he does
An evil word it is,
This Love.

***********

Last year’s toast

I am not lazy.
I am on the amphetamine of the soul.
I am, each day,
typing out the God
my typewriter believes in.
Very quick. Very intense,
like a wolf at a live heart.
Not lazy.
When a lazy man, they say,
looks toward heaven,
the angels close the windows.

Oh angels,
keep the windows open
so that I may reach in
and steal each object,
objects that tell me the sea is not dying,
objects that tell me the dirt has a life-wish,
that the Christ who walked for me,
walked on true ground
and that this frenzy,
like bees stinging the heart all morning,
will keep the angels
with their windows open,
wide as an English bathtub.

Frenzy, Anne Sexton - via dialogues

Anne Sexton has the ability to take my breath away, even if it’s just for a moment.

(via walkwhilereading)

dialogues:

amor-fati:

astroblemes:icanread:(by osidiustheemphatic)

dialogues:

amor-fati:

astroblemes:icanread:(by osidiustheemphatic)

“They willingly traded everything they owned…They were well-built, with good bodies and handsome features…They do not bear arms and do not know them, for I showed them a sword, they took it by the edge and cut themselves out of ignorance…They have no iron…Their spears are made of cane…They would make fine servants…With fifty men we could subjugate them all and make them do whatever we want.”

Christopher Columbus writing in his diary upon landing in Hispaniola, from A People’s History of the United States

Fuck him.

(via unburyingthelead)

(via curate)

i12bent:

And, as usual, the greatest unloved post on OF from exactly one year ago, Oct. 10, 2008:
Two of Allen Ginsberg’s graphic art pieces from late in his life:
Above: Ballad of the Skeletons, 1996
Below: Untitled, 1998 (an Ouroboros)

i12bent:

And, as usual, the greatest unloved post on OF from exactly one year ago, Oct. 10, 2008:
Two of Allen Ginsberg’s graphic art pieces from late in his life:
Above: Ballad of the Skeletons, 1996
Below: Untitled, 1998 (an Ouroboros)

i12bent:

And, as usual, the greatest unloved post on OF from exactly one year ago, Oct. 10, 2008:

Two of Allen Ginsberg’s graphic art pieces from late in his life:

Above: Ballad of the Skeletons, 1996

Below: Untitled, 1998 (an Ouroboros)

iheartmyart:
Tadanori Yokoo, poster, america - second view (1968) (via A Journey Round My Skull)iheartmyart:
Tadanori Yokoo, poster, america - second view (1968) (via A Journey Round My Skull)

iheartmyart:

Tadanori Yokoo, poster, america - second view (1968) (via A Journey Round My Skull)
i12bent:
This is what Nobuyoshi Araki calls Arakinema, his own personal type of cinema…. (Source)i12bent:
This is what Nobuyoshi Araki calls Arakinema, his own personal type of cinema…. (Source)

i12bent:

This is what Nobuyoshi Araki calls Arakinema, his own personal type of cinema…. (Source)

Noam Chomsky: Big Business Dictates the Presidency

Despite masterful propaganda to the contrary (including right here on Tumblr):

“The core of Obama’s funding was financial institutions.”

(Smiling all the way…)

via No Sugar Added

via amazon.comvia amazon.com