Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

Reckon

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"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
October 18, 09
by Elizabeth Peytonby Elizabeth Peyton
Jackie and John (Jackie fixing John’s hair) 1999. (detail).  Collection Mr. and Mrs. Jeffrey R. Winter,
by Elizabeth PeytonMAASTRICHT.- The Bonnefantenmuseum will be presenting the first comprehensive retrospective of Elizabeth Peyton’s oeuvre on the European mainland, which comprises over 90 works (paintings, watercolors, drawings and lithos) from the past 18 years (1991-2009). From her first portraits of 19th-century heroes to her more recent works, peopled with friends from the world of music, fashion and literature, Elizabeth Peyton has presented herself as a contemporary ‘painter of modern life’, in the words of Charles Baudelaire. Peyton’s miniature portraits capture the spirit of the times in an artistic language that unmistakably reflects late 20th-century urban sensitivity. The exhibition starts with portraits of Napoleon Bonaparte, pop icons Sid Vicious and Kurt Cobain, and fashion designer Marc Jacobs, and shows a development towards an increasing eclecticism and anachronism in Peyton’s choices of subject, ranging from her personal circle of friends to admired predecessors from the history of art, such as Georgia O’Keeffe and Frida Kahlo. Peyton’s intimate portraits often appear unrealistic, compared to the public star status of many of her models. Peyton makes them small – both literally and figuratively – in order to visualize a more genuine beauty.
Artdaily.orgJackie and John (Jackie fixing John’s hair) 1999. (detail).  Collection Mr. and Mrs. Jeffrey R. Winter,
by Elizabeth PeytonMAASTRICHT.- The Bonnefantenmuseum will be presenting the first comprehensive retrospective of Elizabeth Peyton’s oeuvre on the European mainland, which comprises over 90 works (paintings, watercolors, drawings and lithos) from the past 18 years (1991-2009). From her first portraits of 19th-century heroes to her more recent works, peopled with friends from the world of music, fashion and literature, Elizabeth Peyton has presented herself as a contemporary ‘painter of modern life’, in the words of Charles Baudelaire. Peyton’s miniature portraits capture the spirit of the times in an artistic language that unmistakably reflects late 20th-century urban sensitivity. The exhibition starts with portraits of Napoleon Bonaparte, pop icons Sid Vicious and Kurt Cobain, and fashion designer Marc Jacobs, and shows a development towards an increasing eclecticism and anachronism in Peyton’s choices of subject, ranging from her personal circle of friends to admired predecessors from the history of art, such as Georgia O’Keeffe and Frida Kahlo. Peyton’s intimate portraits often appear unrealistic, compared to the public star status of many of her models. Peyton makes them small – both literally and figuratively – in order to visualize a more genuine beauty.
Artdaily.org

Jackie and John (Jackie fixing John’s hair) 1999. (detail).  Collection Mr. and Mrs. Jeffrey R. Winter,

by Elizabeth Peyton

MAASTRICHT.- The Bonnefantenmuseum will be presenting the first comprehensive retrospective of Elizabeth Peyton’s oeuvre on the European mainland, which comprises over 90 works (paintings, watercolors, drawings and lithos) from the past 18 years (1991-2009).

From her first portraits of 19th-century heroes to her more recent works, peopled with friends from the world of music, fashion and literature, Elizabeth Peyton has presented herself as a contemporary ‘painter of modern life’, in the words of Charles Baudelaire. Peyton’s miniature portraits capture the spirit of the times in an artistic language that unmistakably reflects late 20th-century urban sensitivity.

The exhibition starts with portraits of Napoleon Bonaparte, pop icons Sid Vicious and Kurt Cobain, and fashion designer Marc Jacobs, and shows a development towards an increasing eclecticism and anachronism in Peyton’s choices of subject, ranging from her personal circle of friends to admired predecessors from the history of art, such as Georgia O’Keeffe and Frida Kahlo. Peyton’s intimate portraits often appear unrealistic, compared to the public star status of many of her models. Peyton makes them small – both literally and figuratively – in order to visualize a more genuine beauty.

Artdaily.org

“I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion.”

~ Jack Kerouac (via gatekeeper) (via spacecowboysfloat)
americanshaft:

bebelestrange:

mouette7:emilytatlin:none00:Ventura «  Valerie


americanshaft:

bebelestrange:

mouette7:emilytatlin:none00:Ventura «  Valerie
mysticalandshit:

thethinkingtank:haleyworldeater:(via spacecowboysfloat)

mysticalandshit:

thethinkingtank:haleyworldeater:(via spacecowboysfloat)
(via cosmic-dust)(via cosmic-dust)

(via cosmic-dust)

dear ada: lisa sigal.dear ada: lisa sigal.
dear ada: lisa sigal.dear ada: lisa sigal.
Reflecting on Basquiat | Escape Into Life
“Society either ignores the artist’s expression, or affirms it. But when an artist is living, and society recognizes them, the artist becomes even more set apart from that society than she was to begin with.”Reflecting on Basquiat | Escape Into Life
“Society either ignores the artist’s expression, or affirms it. But when an artist is living, and society recognizes them, the artist becomes even more set apart from that society than she was to begin with.”

Reflecting on Basquiat | Escape Into Life

“Society either ignores the artist’s expression, or affirms it. But when an artist is living, and society recognizes them, the artist becomes even more set apart from that society than she was to begin with.”

TEXAS IS NOT FOR PEDESTRIANS : de-signs by Austin KleonTEXAS IS NOT FOR PEDESTRIANS : de-signs by Austin Kleon
TEXAS IS NOT FOR PEDESTRIANS : de-signs by Austin KleonTEXAS IS NOT FOR PEDESTRIANS : de-signs by Austin Kleon
TEXAS IS NOT FOR PEDESTRIANS : de-signs by Austin KleonTEXAS IS NOT FOR PEDESTRIANS : de-signs by Austin Kleon