Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

Reckon

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"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
i12bent:

Loïs Mailou Jones (Nov. 3, 1905 - 1996): Moon Masque, 1971 - oil and collage on canvas (Smithsonian)
“Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.” — Lois Mailou Jones quoted in Samella S. Lewis and Ruth G.Waddy, Black Artists on Art (Los Angeles: Contemporary Crafts Publishers, 1969), 1:97.
“For more than fifty years, Lois Mailou Jones has enjoyed a consistently successful career as a painter, teacher, book illustrator, and textile designer. Her art spans three continents: North America, Europe, and Africa, and she has been represented in more than seventy group shows and mounted twenty one-woman exhibitions since 1937.
Jones’s return to African themes in her work of the past several decades coincided with the black expressionistic movement in the United States during the 1960s. Skillfully integrating aspects of African masks, figures, and textiles into her vibrant paintings, Jones continues to produce exciting new works at an astonishing rate of speed, even in her late eighties.” - Regenia A. Perry. Free within Ourselves: African-American Artists in the Collection of the National Museum of American Art (Washington, D.C.: National Museum of American Art in Association with Pomegranate Art Books, 1992).
i12bent:

Loïs Mailou Jones (Nov. 3, 1905 - 1996): Moon Masque, 1971 - oil and collage on canvas (Smithsonian)
“Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.” — Lois Mailou Jones quoted in Samella S. Lewis and Ruth G.Waddy, Black Artists on Art (Los Angeles: Contemporary Crafts Publishers, 1969), 1:97.
“For more than fifty years, Lois Mailou Jones has enjoyed a consistently successful career as a painter, teacher, book illustrator, and textile designer. Her art spans three continents: North America, Europe, and Africa, and she has been represented in more than seventy group shows and mounted twenty one-woman exhibitions since 1937.
Jones’s return to African themes in her work of the past several decades coincided with the black expressionistic movement in the United States during the 1960s. Skillfully integrating aspects of African masks, figures, and textiles into her vibrant paintings, Jones continues to produce exciting new works at an astonishing rate of speed, even in her late eighties.” - Regenia A. Perry. Free within Ourselves: African-American Artists in the Collection of the National Museum of American Art (Washington, D.C.: National Museum of American Art in Association with Pomegranate Art Books, 1992).

i12bent:

Loïs Mailou Jones (Nov. 3, 1905 - 1996): Moon Masque, 1971 - oil and collage on canvas (Smithsonian)

“Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.” — Lois Mailou Jones quoted in Samella S. Lewis and Ruth G.Waddy, Black Artists on Art (Los Angeles: Contemporary Crafts Publishers, 1969), 1:97.

“For more than fifty years, Lois Mailou Jones has enjoyed a consistently successful career as a painter, teacher, book illustrator, and textile designer. Her art spans three continents: North America, Europe, and Africa, and she has been represented in more than seventy group shows and mounted twenty one-woman exhibitions since 1937.

Jones’s return to African themes in her work of the past several decades coincided with the black expressionistic movement in the United States during the 1960s. Skillfully integrating aspects of African masks, figures, and textiles into her vibrant paintings, Jones continues to produce exciting new works at an astonishing rate of speed, even in her late eighties.” - Regenia A. Perry. Free within Ourselves: African-American Artists in the Collection of the National Museum of American Art (Washington, D.C.: National Museum of American Art in Association with Pomegranate Art Books, 1992).

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