Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

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"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
Art of Projection Art of Projection, edited by Stan Douglas and Christopher Eamon. Art of Projection investigates the historical and contemporary use of projected images in art, from the screen to the exhibition space and back again. Ten essays, written by leading art historians and critics, including Stan Douglas, Mieke Bal and Beatriz Columina, address precedents for the projection of images in space, including nineteenth-century magic lantern shows and the novel spatial/temporal representations pioneered by Surrealist and experimental filmmakers during the early and mid-twentieth century.Art of Projection Art of Projection, edited by Stan Douglas and Christopher Eamon. Art of Projection investigates the historical and contemporary use of projected images in art, from the screen to the exhibition space and back again. Ten essays, written by leading art historians and critics, including Stan Douglas, Mieke Bal and Beatriz Columina, address precedents for the projection of images in space, including nineteenth-century magic lantern shows and the novel spatial/temporal representations pioneered by Surrealist and experimental filmmakers during the early and mid-twentieth century.

Art of Projection

Art of Projection, edited by Stan Douglas and Christopher Eamon.

Art of Projection investigates the historical and contemporary use of projected images in art, from the screen to the exhibition space and back again. Ten essays, written by leading art historians and critics, including Stan Douglas, Mieke Bal and Beatriz Columina, address precedents for the projection of images in space, including nineteenth-century magic lantern shows and the novel spatial/temporal representations pioneered by Surrealist and experimental filmmakers during the early and mid-twentieth century.

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