Danza De La Realidad
(The Dance of Reality)
Born to Russian Jewish émigrés in 1929, Jodorowsky studied theater and worked as a circus clown and puppeteer in Santiago. In postwar Paris he performed mime with Marcel Marceau and fell in with the surrealists. He then moved to Mexico, where he mounted dozens of plays inspired by Antonin Artaud’s theater of cruelty. Back in Paris, where he has lived since the 1980s, he cultivated multiple sidelines: writing comic books, studying the tarot and developing a therapeutic method known as psychomagic, rooted in both psychoanalysis and shamanism.
Psychomagic is the guiding philosophy of “The Dance of Reality,” a kind of home movie writ large. Jodorowsky’s wife, Pascale Montandon, was the costume designer, and three of his sons appear in it, including Brontis (who in “El Topo” portrayed the son of the title character, a gunslinger known as “the mole” and played by Alejandro Jodorowsky). In the new film, Brontis, now 50, plays Jodorowsky’s Stalin-lookalike father, whom the director described as “a very terrible father, a very hard man, but he had his reasons.”
“Before we started, I said to the crew, ‘I am trying to heal my soul,’” Jodorowsky said. “But it’s not an egocentric, narcissistic picture. Poetry doesn’t speak about history. It speaks about interior life, universal problems.”