The artist Eva Zeisel, who says that the folk tradition in which she works is “her home,” nevertheless produces ceramics that were recognized by the Museum of Modern Art as masterpieces of contemporary design. This is what she says about innovation for its own sake:
“This idea to create something is not my aim. To be different is a negative motive, and no creative thought or created thing grows out of a negative impulse. A negative impulse is always frustrating. And to be different means ‘not like this’ and ‘not like that.’ And the ‘not like’—that’s why postmodernism, with the prefix of ‘post,’ couldn’t work. No negative impulse can work, can produce any happy creation. Only a positive one.”
But the willingness to take risks, to break with the safety of tradition, is also necessary. The economist George Stigler is very emphatic in this regard: “I’d say one of the most common failures of able people is a lack of nerve. They’ll play safe games. In innovation, you have to play a less safe game, if it’s going to be interesting. It’s not predictable that it’ll go well.”
”Moreover, the very concept of the individual, as currently understood, depends on the difference in interconnectivity. Once this difference changes, i.e. internal states of the nervous system are becoming increasingly accessible, our very notion of privacy, privileged access, cognitive liberty and individuality should be reassessed.
…bottom line is that in the future the very definition of individuality will probably be derived not from the arbitrary conditions of one’s biological makeup, but rather how one is connected and to what. The degree of individuation will depend on difference in interconnectivity and this will become the subject matter of our ethical debate…