Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

Reckon

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howdy@reckon.ws

"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
jazz:
SARAH VAUGHAN
by NCMallorySARAH VAUGHAN
by NCMallory

SARAH VAUGHAN

by NCMallory

browneyes:

Dropped by vtraleigh.
browneyes:

Dropped by vtraleigh.
On the Drums, Plate 2 (by Thomas Hawk)On the Drums, Plate 2 (by Thomas Hawk)

On the Drums, Plate 2 (by Thomas Hawk)

kenmat:

mfs:

miguelteixeira:

Some Other Stuff: Grachan Moncur III

kenmat:

mfs:

miguelteixeira:

Some Other Stuff: Grachan Moncur III

kenmat:

mfs:

miguelteixeira:

Some Other Stuff: Grachan Moncur III
superseventies:

bigfun:
Mati Klarwein - Miles Davis’ Bitches Brew cover (1970)
superseventies:

bigfun:
Mati Klarwein - Miles Davis’ Bitches Brew cover (1970)

superseventies:

bigfun:

Mati Klarwein - Miles Davis’ Bitches Brew cover (1970)
Romare BeardenRomare Bearden

Romare Bearden

i12bent:


Sweet Dreams, Lady Day…
Billie Holiday, gone these fifty years, d. July 17, 1959.
Portrait of Billie Holiday, Downbeat, New York, N.Y., ca. Feb. 1947 - William P. Gottlieb,  1917
i12bent:


Sweet Dreams, Lady Day…
Billie Holiday, gone these fifty years, d. July 17, 1959.
Portrait of Billie Holiday, Downbeat, New York, N.Y., ca. Feb. 1947 - William P. Gottlieb,  1917

i12bent:

Sweet Dreams, Lady Day…

Billie Holiday, gone these fifty years, d. July 17, 1959.

Portrait of Billie Holiday, Downbeat, New York, N.Y., ca. Feb. 1947 - William P. Gottlieb,  1917

naoppi:

mfs:

tyzm:

hanakodo:
《《♪○♪》》


naoppi:

mfs:

tyzm:

hanakodo:
《《♪○♪》》
thethirdmind:


Original photo by Baron Wolman.
[via]
thethirdmind:


Original photo by Baron Wolman.
[via]

thethirdmind:

Original photo by Baron Wolman.

[via]

thethirdmind:

Sun Ra - RS 31 (April 19, 1969)Photograph by Baron Wolmanthethirdmind:

Sun Ra - RS 31 (April 19, 1969)Photograph by Baron Wolman

thethirdmind:

Sun Ra - RS 31 (April 19, 1969)
Photograph by Baron Wolman
sadanblog:


mfs:

charlie parker
sadanblog:


mfs:

charlie parker

sadanblog:

mfs:

charlie parker
Mooglight (via darklorddisco)Mooglight (via darklorddisco)

Mooglight (via darklorddisco)

i12bent:


Eric Dolphy w. the bass clarinet (photo: Chuck Stewart)
Dolphy died too young, while touring in Europe in 1964, first with Mingus, then in other settings… He collapsed on stage in Berlin and was brought to a hospital. The attending hospital physicians had no idea that Dolphy was a diabetic and thought that he, like so many other jazz musicians, had overdosed on drugs, so he was left in a hospital bed until the drugs had run their course. Dolphy died on June 29, 1964 in a diabetic coma…
i12bent:


Eric Dolphy w. the bass clarinet (photo: Chuck Stewart)
Dolphy died too young, while touring in Europe in 1964, first with Mingus, then in other settings… He collapsed on stage in Berlin and was brought to a hospital. The attending hospital physicians had no idea that Dolphy was a diabetic and thought that he, like so many other jazz musicians, had overdosed on drugs, so he was left in a hospital bed until the drugs had run their course. Dolphy died on June 29, 1964 in a diabetic coma…

i12bent:

Eric Dolphy w. the bass clarinet (photo: Chuck Stewart)

Dolphy died too young, while touring in Europe in 1964, first with Mingus, then in other settings… He collapsed on stage in Berlin and was brought to a hospital. The attending hospital physicians had no idea that Dolphy was a diabetic and thought that he, like so many other jazz musicians, had overdosed on drugs, so he was left in a hospital bed until the drugs had run their course. Dolphy died on June 29, 1964 in a diabetic coma…

i12bent:


Eric Dolphy (June 20, 1928 – 1964) was an American jazz alto saxophonist, flautist, and bass clarinetist. Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists.
His improvisational style was characterized by the use of wide intervals based largely on the twelve tone scale, in addition to using an array of extended techniques to reproduce human- and animal-like effects which almost literally made his instruments speak. Although Dolphy’s work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was considered an avant-garde improviser. (Wiki) 







Eric Dolphy - solo bass clarinet: God Bless the Child, 1961
i12bent:


Eric Dolphy (June 20, 1928 – 1964) was an American jazz alto saxophonist, flautist, and bass clarinetist. Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists.
His improvisational style was characterized by the use of wide intervals based largely on the twelve tone scale, in addition to using an array of extended techniques to reproduce human- and animal-like effects which almost literally made his instruments speak. Although Dolphy’s work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was considered an avant-garde improviser. (Wiki) 







Eric Dolphy - solo bass clarinet: God Bless the Child, 1961

i12bent:

Eric Dolphy (June 20, 1928 – 1964) was an American jazz alto saxophonist, flautist, and bass clarinetist. Dolphy was one of several groundbreaking jazz alto players to rise to prominence in the 1960s. He was also the first important bass clarinet soloist in jazz, and among the earliest significant flute soloists.

His improvisational style was characterized by the use of wide intervals based largely on the twelve tone scale, in addition to using an array of extended techniques to reproduce human- and animal-like effects which almost literally made his instruments speak. Although Dolphy’s work is sometimes classified as free jazz, his compositions and solos had a logic uncharacteristic of many other free jazz musicians of the day; even as such, he was considered an avant-garde improviser. (Wiki

Eric Dolphy - solo bass clarinet: God Bless the Child, 1961