Reckon | The Whole World's a Stage

I'm Chris: Poet, lover of academy and porch, sidewalk and turning row. I am looking for everyone discovering her hands and camera trying to overstand the in between.

Reckon

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"Civilization is entirely the product of phonetic literacy. As it dissolves with the electronic revolution, we rediscover a tribal integral awareness that manifests itself in a complete shift in our sensory lives....This new electronic environment itself constitutes an inner trip, collectively, without benefit of drugs. The impulse to use hallucinogens is a kind of empathy with the electronic environment." - Marshall McLuhan
writing:
austinkleon:
Charles Bukowski, William Burroughs, and the Computeraustinkleon:
Charles Bukowski, William Burroughs, and the Computer
sniffed:
L’escalier d’Archimède · Michel Leiris
sniffed:
L’escalier d’Archimède · Michel Leiris

sniffed:

L’escalier d’Archimède · Michel Leiris
thepr:

The Limits of Control by William S. Burroughsthepr:

The Limits of Control by William S. Burroughs
DAVIS: Mr. Dick, the world has only been getting stranger since you left us. We are surrounded with clones, identity theft, patented genes, faster-than-light particles, Aibo, and obsessive virtual gaming. Some scientist in England promises to build a chip called a “soul catcher” that will sit behind your eyeballs and record your life. Doesnt all this sound strangely familiar? 

DICK: Over the years it seems to me that by subtle but real degrees the world has come to resemble a PKD novel. Several freaks have even accused me of bringing on the modern world by my novels. 

DAVIS: How exactly would you characterize those novels? 

DICK: My writing deals with hallucinated worlds, intoxicating and deluding drugs, and psychosis. But my writing acts as an antidote, a detoxifying, not intoxicating, antidote. 

(via 21C Magazine)DAVIS: Mr. Dick, the world has only been getting stranger since you left us. We are surrounded with clones, identity theft, patented genes, faster-than-light particles, Aibo, and obsessive virtual gaming. Some scientist in England promises to build a chip called a “soul catcher” that will sit behind your eyeballs and record your life. Doesnt all this sound strangely familiar? 

DICK: Over the years it seems to me that by subtle but real degrees the world has come to resemble a PKD novel. Several freaks have even accused me of bringing on the modern world by my novels. 

DAVIS: How exactly would you characterize those novels? 

DICK: My writing deals with hallucinated worlds, intoxicating and deluding drugs, and psychosis. But my writing acts as an antidote, a detoxifying, not intoxicating, antidote. 

(via 21C Magazine)

DAVIS: Mr. Dick, the world has only been getting stranger since you left us. We are surrounded with clones, identity theft, patented genes, faster-than-light particles, Aibo, and obsessive virtual gaming. Some scientist in England promises to build a chip called a “soul catcher” that will sit behind your eyeballs and record your life. Doesnt all this sound strangely familiar?

DICK: Over the years it seems to me that by subtle but real degrees the world has come to resemble a PKD novel. Several freaks have even accused me of bringing on the modern world by my novels.

DAVIS: How exactly would you characterize those novels?

DICK: My writing deals with hallucinated worlds, intoxicating and deluding drugs, and psychosis. But my writing acts as an antidote, a detoxifying, not intoxicating, antidote.

(via 21C Magazine)

thisismewriting:


tatielle:
via Yvette Inufio

thisismewriting:


tatielle:
via Yvette Inufio
Did you know that Sir Francis Bacon was one of the greatest geniuses of all time, and recognised as such by his contemporaries?

Did you know that Bacon’s philosophy was designed to embrace all three realms of natural, human and divine existence?

Did you know that Bacon taught that philosophy/science was and should be the servant of divinity, the Word of God as revealed to the prophets or inspired into the human heart?

Did you know that Bacon urged us to discover metaphysical as well as physical laws, seeing love as the greatest law of all?

Did you know that Bacon was a master Kabalist and that his Grand Project is designed according to kabalistic wisdom?

Did you know that Bacon set up a treasure trail to help train us in the Art of Discovery?

Did you know that Francis Bacon’s contemporaries identified him as a secret poet, the chief of them all, who wrote stage plays and renovated philosophy using comedy and tragedy?

Did you know that Francis Bacon was referred to as both Apollo and Pallas Athena, the ‘Spear-Shaker’ or ‘Shake-Spear’?

Did you know that two contemporary 16th century poets identified Francis Bacon as the author of the Shakespeare poems, Venus and Adonis and The Rape of Lucrece?

Did you know that a 16th century collection of manuscripts that once contained the Shakespeare plays, Richard II and Richard III, names Francis Bacon as their author?

Did you know that Bacon headed a literary studio of poets and writers?

Did you know……?

via The Francis Bacon Research Trust

thepitman:


oldfilmsflicker:quatsch:
(23 April 1564 - 23 April 1616)
Did you know that Sir Francis Bacon was one of the greatest geniuses of all time, and recognised as such by his contemporaries?

Did you know that Bacon’s philosophy was designed to embrace all three realms of natural, human and divine existence?

Did you know that Bacon taught that philosophy/science was and should be the servant of divinity, the Word of God as revealed to the prophets or inspired into the human heart?

Did you know that Bacon urged us to discover metaphysical as well as physical laws, seeing love as the greatest law of all?

Did you know that Bacon was a master Kabalist and that his Grand Project is designed according to kabalistic wisdom?

Did you know that Bacon set up a treasure trail to help train us in the Art of Discovery?

Did you know that Francis Bacon’s contemporaries identified him as a secret poet, the chief of them all, who wrote stage plays and renovated philosophy using comedy and tragedy?

Did you know that Francis Bacon was referred to as both Apollo and Pallas Athena, the ‘Spear-Shaker’ or ‘Shake-Spear’?

Did you know that two contemporary 16th century poets identified Francis Bacon as the author of the Shakespeare poems, Venus and Adonis and The Rape of Lucrece?

Did you know that a 16th century collection of manuscripts that once contained the Shakespeare plays, Richard II and Richard III, names Francis Bacon as their author?

Did you know that Bacon headed a literary studio of poets and writers?

Did you know……?

via The Francis Bacon Research Trust

thepitman:


oldfilmsflicker:quatsch:
(23 April 1564 - 23 April 1616)
Did you know that Sir Francis Bacon was one of the greatest geniuses of all time, and recognised as such by his contemporaries? Did you know that Bacon’s philosophy was designed to embrace all three realms of natural, human and divine existence? Did you know that Bacon taught that philosophy/science was and should be the servant of divinity, the Word of God as revealed to the prophets or inspired into the human heart? Did you know that Bacon urged us to discover metaphysical as well as physical laws, seeing love as the greatest law of all? Did you know that Bacon was a master Kabalist and that his Grand Project is designed according to kabalistic wisdom? Did you know that Bacon set up a treasure trail to help train us in the Art of Discovery? Did you know that Francis Bacon’s contemporaries identified him as a secret poet, the chief of them all, who wrote stage plays and renovated philosophy using comedy and tragedy? Did you know that Francis Bacon was referred to as both Apollo and Pallas Athena, the ‘Spear-Shaker’ or ‘Shake-Spear’? Did you know that two contemporary 16th century poets identified Francis Bacon as the author of the Shakespeare poems, Venus and Adonis and The Rape of Lucrece? Did you know that a 16th century collection of manuscripts that once contained the Shakespeare plays, Richard II and Richard III, names Francis Bacon as their author? Did you know that Bacon headed a literary studio of poets and writers? Did you know……? via The Francis Bacon Research Trust

thepitman:

oldfilmsflicker:quatsch:

(23 April 1564 - 23 April 1616)

“[…]there’s something kind of timelessly vital and sacred about good writing. This thing doesn’t have that much to do with talent, even glittering talent… Talent’s just an instrument. It’s like having a pen that works instead of one that doesn’t. I’m not saying I’m able to work consistently out of that premise, but it seems like the big distinction between good art and so-so art lies somewhere in the art’s heart’s purpose, the agenda of the consciousness behind the text. It’s got something to do with love. With having the discipline to talk out of that part or yourself that can love instead of the part that just wants to be loved.”

David Foster Wallace, on writing.  This particular quote was recited by Zadie Smith at a memorial service for DFW at New York University.

<HTMLGIANT>, the blog in which this quote was found, responds: “Writing as an act of love. If that sounds cheesey, we need more cheese.”

(via davidfosterwallace)

(via counterforce)

(via shorterexcerpts)

“Are we all, without realising it, taking part in a vast witness protection programme? Did we observe, at some time in the distant past, a deeply disturbing event in which we were closely implicated? Were we then assigned new identities, new personalities, fears and dreams so convincing that we have forgotten who we really are?”

J.G. Ballard

RIP

via The Guardian

Growing Sentences with David Foster Wallace

poetbabble:

turnlizer:

oomb:

A Primer for Kicking Ass

Being the Result of One Man’s Fed-upped-ness With ‘How to Write’ Books Not Actually Showing You How to Write

By James Tanner. Reprinted with permission.

0. Begin with an idea, a string of ideas.

Ex: Mario had help with his movie. He did a lot of the work himself.

1. Use them in a compound sentence:

It’s obvious someone helped with the script, But…Mario did the puppet work, And…It was his shoes on the pedal.

2. Add rhythm with a dependent clause:

It’s obvious someone helped with the script, but Mario did the puppet work, and it was, without question, his shoes on the pedal.

3. Elaborate using a complete sentence as interrupting modifier:

It’s obvious someone helped with the script, but Mario did the puppet work — his arms are perfect for the puppets — and it was, without question, his shoes on the pedal.

4. Append an absolute construction or two:

It’s obvious someone helped with the script, but Mario did the puppet work — his arms are perfect for the puppets — and it was, without question, his shoes on the pedal, the camera mounted on a tripod, mops moved out of frame.

5. Paralell-o-rize your structure (turn one noun into two):

It’s obvious someone helped with the script, but Mario did the choreography and the puppet work — his arms and fingers are perfect for the puppets — and it was, without question, his shoes on the pedal, the camera mounted on a tripod, mops and buckets moved out of frame.

-
STOP HERE IF YOU ARE A MINIMALIST, WRITING COACH, OR JAMES WOOD
-

6. Adjectival phrases: lots of them. (Note: apprx. 50% will include the word ‘little’):

It’s obvious someone helped with the script, but Mario did the choreography and most of the puppet work — his little S-shaped arms and curved fingers are perfect for the standard big-headed political puppets — and it was, without question, his little square shoes on the pedal, the camera mounted on a tripod, mops and dull-gray janitorial buckets moved out of frame.

7. Throw in an adverb or two (never more than one third the number of adjectives):

It’s obvious someone helped with the script, but Mario did the choreography and most of the puppet work personally — his little S-shaped arms and curved fingers are perfect for the standard big-headed political puppets — and it was, without question, his little square shoes on the pedal, the camera mounted on a tripod, mops and dull-gray janitorial buckets carefully moved out of frame.

8. Elaboration — mostly unnecessary. Here you’ll turn nouns phrases into longer noun phrases; verbs phrases into longer verb phrases. This is largely a matter of synonyms and prepositions. Don’t be afraid to be vague! Ideally, these elaborations will contribute to voice — for example, ‘had a hand in’ is longer than ‘helped’, but still kinda voice-y — but that’s just gravy. The goal here is word count.

It’s obvious someone else had a hand in the screenplay, but Mario did the choreography and most of the puppet-work personally — his little S-shaped arms and curved fingers are perfect for the forward curve from body to snout of a standard big-headed political puppet — and it was, without question, Mario’s little square shoes on the pedal, the camera mounted on a tripod across the over lit closet, mops and dull-gray janitorial buckets carefully moved out past the frame’s borders on either side of the little velvet stage.

-
STOP HERE IF YOU ARE NOT WRITING PARODY
-

9. Give it that Wallace shine. Replace common words with their oddly specific, scientific-y counterparts. (Ex: ‘curved fingers’ into ‘falcate digits’). If you can turn a noun into a brand name, do it. (Ex: ‘shoes’ into ‘Hush Puppies,’ ‘camera’ into ‘Bolex’). Finally, go crazy with the possessives. Who wants a tripod when they could have a ‘tunnel’s locked lab’s tripod’? Ahem:

It’s obvious someone else had a hand in the screenplay, but Mario did the choreography and most of the puppet-work personally — his little S-shaped arms and falcate digits are perfect for the forward curve from body to snout of a standard big-headed political puppet — and it was, without question, Mario’s little square Hush Puppies on the H^4’s operant foot-treadle, the Bolex itself mounted on one of the tunnel’s locked lab’s Husky-VI TL tripods across the over lit closet, mops and dull-gray janitorial buckets carefully moved out past the frame’s borders on either side of the little velvet stage.

10. Practice. Take one sentence — any sentence — and Wallacize it. Turn ten boring words into a hundred good ones.

Ex: “John wanted to play ball, but he sat on the couch.”

Or did John _________________________________ ?

(via Kottke)

johanna:

Now Type (via Tupigrafia)johanna:

Now Type (via Tupigrafia)

johanna:

Now Type (via Tupigrafia)
(via johanna)(via johanna)

(via johanna)

“In my childhood diary I wrote: “I have decided that it is better not to love anyone, because when you love people, then you have to be separated from them, and that hurts too much.”

The Diary of Anaïs Nin: Volume One 1931-1934, Anaïs Nin (via expose) (via merricat) (via unicornology)

As an alternative to National Poetry Month, I propose that we have an International Anti-Poetry month. As part of the activities, all verse in public places will be covered over—from the Statue of Liberty to the friezes on many of our government buildings. Poetry will be removed from radio and TV (just as it is during the other eleven months of the year). Parents will be asked not to read Mother Goose and other rimes to their children but only … fiction. Religious institutions will have to forego reading verse passages from the liturgy and only prose translations of the Bible will recited, with hymns strictly banned. Ministers in the Black churches will be kindly requested to stop preaching. Cats will be closed for the month by order of the Anti-Poetry Commission. Poetry readings will be replaced by self-help lectures. Love letters will have to be written only in expository paragraphs. Baseball will have to start its spring training in May. No vocal music will be played on the radio or sung in the concert halls. Children will have to stop playing all slapping and counting and singing games and stick to board games and football.

As part of the campaign, the major daily newspapers will run full page ads with this text:

Go ahead, don’t read any poetry.

You won’t be able to understand it anyway:
the best stuff is all over your head.

And there aren’t even any commercials to liven up the action.

Anyway, you’ll end up with a headache trying to figure out
what the poems are saying because they are saying
NOTHING.

Who needs that.

Better go to the movies.

Kafka, the girl and the doll »

dailymeh:

Jin Zhu of shooting wide open (read it!) found little story in Paul Auster’s The Brooklyn Follies:

It’s the last year of Kafka’s life, and he’s fallen in love with Dora Diamant, a young girl of nineteen or twenty who ran away from her Hasidic family in Poland and now lives in Berlin. He gets to Berlin in the fall of 1923 and dies the following spring, but those last months are probably the happiest months of his life.

Every afternoon, Kafka goes out for a walk in the park. More often than not, Dora goes with him. One day, they run into a little girl in tears, sobbing her heart out. Kafka asks her what’s wrong, and she tells him that she’s lost her doll. He immediately starts inveting a story to explain what happened. ‘Your doll has gone off on a trip,’ he says. ‘How do you know that?’ the girl asks. ‘Because she’s written me a letter,’ Kafka says. The girl seems suspicious. ‘Do you heave it on you?’ she asks. ‘No, I’m sorry,’ he says, ‘I left it at home by mistake, but I’ll bring it with me tomorrow.’

Kafka goes straight home to write the letter.

The next day, Kafka rushes back to the park with the letter. The little girl is waiting for him, and since she hasn’t learned how to read yet, he reads the letter out loud to her. The doll is very sorry, but she’s grown tired of living with the same people all the time. She needs to get out and see the world, to make new friends. It’s not that she doesn’t love the little girl, but she longs for a change of scenery, and therefore they must separate for a while. The doll then promisses to write the girl every day and keep her abreast of her activities.

That’s where the story begins to break my heart. It’s astonishing enough that Kafka took the trouble to write the first letter, but now he commits himself to the project of writing the letter every day. He kept it up for three weeks. Three weeks. One of the most brilliant writers who ever lived sacrificing his time — his ever more precious and dwindling time — to composing imaginary letters from a lost doll. Dora says he wrote every sentence with excruciating attention to detail, that the prose was precise, funny, and absorbing. In other words, it was Kafka’s prose and every day for three weeks he went to he park and read another letter to the girl.

The doll grows up, goes to school, gets to know other people. She continues to assure the girl of her love, but she hints at certain complications in her life that make it impossible for her to return home. Little by little, Kafka is preparing the girl for the moment when the doll will vanish from her life forever. He finally decides to marry off the doll. He describes the young man she falls in love with, the engagement party, the wedding in the country, even the house where the doll and her husband now live. And then, in the last line, the doll bids farewell to her old and beloved friend.

By that point, of course, the girl no longer misses the doll. Kafka has given her something else instad, and by the time those three weeks are up, the letters have cured her of her unhappiness.