Claudia Schiffer by Ellen von Unswerth
When we put satellites around the planet Darwinian nature ended. The earth became an artform subject to the same programming as media networks and their environments. The entire evolutionary process shifted...from biology to technology. Evolution became not an involuntary response of organisms to new conditions but part of the consensus of human consciousness. (McLuhan)
Claudia Schiffer by Ellen von Unswerth
Backstage at Gareth Pugh SS16
Photography Chloé Le Drezen
AYA JONES FOR GARAGE MAGAZINE.
PHOTOGRAPHY BY CHARLIE ENGMAN.
Portraits Taken With A Poloroid Aura Camera
Carlo Van de Roer‘s Portrait Machine series is a special kind of portrait photography. De Roer’s portraits are of friends, family, and well known personalities (you may have recognized Miranda July in the first photograph) with a Polaroid Aura Camera. Related to spirit photography, Aura photography uses electromagnetic readings to create the “auras” of colors in the photographs as well as a report explaining the reading. Though the process, readings, and reports are hardly scientific, they reveal much about how much we invest in portraiture. We continually attempt to translate an inner person from outer appearances, particular from a person’s face. The aura photography further reveals to what extent each person can be a mystery to another, even between those familiar to each other.
Via B/D
PHEROMONE HOTBOX
“The Magician”
Photography by Shae DeTar, courtesy of the gallery
http://www.dazeddigital.com/photography/gallery/19136/3/pheromone-hotbox
The photographer celebrating the beauty of older women
Emily Stein’s Nora photography series:
Bodies in Nature Photography by Katja Kemnitz
More at fubiz:
Kwesi Abbensetts is a South American born photographer, hailing from the country of Guyana. In 2006 while in his final year of film school at Brooklyn College, Kwesi purchased a FUJI 5600 digital camera and from thereon his love for photography blossomed. Photography gave him the immediacy that was missing from film. A self taught photographer, Kwesi had no prior formal training. Having traveled around the Caribbean, Kwesi has shot travel photography in Jamaica and the Cayman Islands. Being self taught has allowed Kwesi to create and shape his own individual template that is identifiably distinct when it comes to creating images.
Stan VanDerBeek, in collaboration with Ken Knowlton, Poemfield No. 1 (1967); Poemfield No. 2 (1967-1971);
Poemfield No. 3 (1967); Poemfield No. 4 (no date); Poemfield No. 5 (1967); Poemfield No. 6 (no date); Poemfield No. 7 (1967-1968); Poemfield No. 8 (no date); Collido-Oscope (1966);
Man and His World (1967)